Having trained in producing, performance, and facilitation, I view my practice as multidisciplinary and ever changing. By curating space for exploration, I provide opportunity for individuals who have a need or want to engage in an artistic process. In placing my practice alongside the work of others, I consider the form that compliments our shared aims and objectives. It is in the space between your agency and mine, curation becomes key. What frame holds the aims of the audience and the artist?
My values as a practitioner are centred on accessibility and community. I aim to provide platforms for and produce work that shares these interests. It is integral to me that the platforms used by artists are opened up and questioned. Who is our work for? By creating performance in a time where finance and space dedicated to the arts is a rare commodity, how can we use our practices to meet the needs of many? Specifically, how can I make my work yours?
I am interested in creating spaces where performers share their emotional and physical journey with the audience. I view performance making as an opportunity to design experiences where all present are asked to question their role in constructing the society we live in.
My understanding of facilitation acts as the foundation of my aims as a producer. With the view that we can educate ourselves and others through performance and collaboration, I am keen to produce spaces for sharing. I aim to curate spaces that allow artists and audiences to experiment with their identity, self representation and skill set.
Producer: DDRROONNEE, Harry Giles, September 2017 - December 2017
Producer: Chrissie Ardill, August 2017 - September 2017
Producer: Old Boy, Glas(s) Performance, August 2017 - November 2017
Producer: What Would Kanye Do?, Clare Marcie Wilson, July - August 2017
Associate Producer: On The Verge 2017, Royal Conservatoire of Scotland, April - June 2017
Producer: Untitled #0.5 – Who, What And Where Is Anna, Anna Krzystek (Supported by the Federation of Scottish Theatre’s Producer Placement Bursary) // January 2017 - June 2017
General Manager and Producer: A Bit of Bite, Glas(s) Performance, April 2017
Production Assistant: Buzzcut Festival, Buzzcut, April 2017
Administration and researcher: All or Nothing ADT, April 2017
Tour Booker: Four Go Wild in Wellies, Indepen-dance // January 2017 - April 2017
Associate Producer: Into The New 2017, Royal Conservatoire of Scotland // January 2016
Producer: UNFIX ReBirth!, UNFIX // December 2016
Producer: SHRIMP DANCE, Paul Michael Henry // October 2016
Facilitator: Home Away, National Theatre of Scotland // October 2016
Assistant Producer: A Bench on the Road, Charioteer Theatre // August - October 2016
Assistant Producer: Glasgow Girls, Pachamama Productions // June 2016 - October 2016
Producer: After Words, Turnt, September 2016